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AICAHK Newsletter - October 2024 每月通訊 - 10月 |

Latest Review
Hong Kong Art Focus - Oscar Ho | 香港藝術焦點——何慶基 VIDEO LINK |

Latest Review
'GOING' - a photograph & Hong Kong's auction houses | John BATTEN
Latest Review
一個舊展覽的啟示 Learning from a public art exhibition | Oscar Hing-kay HO
Latest Review
貝聿銘：人生如建築 I.M. Pei - Life is Architecture at M+ Hong Kong | John BATTEN
Art Issues
AICAHK Newsletter - September/October 2024 每月通訊 - 2024年9/10月 |

The latest reviews and commentary by Hong Kong art critics...
Latest Review
Bruce Nauman: An Artist's Artist 布魯斯‧瑙曼 | John BATTEN
Latest Review
‘Expressionists’ and ‘Now you see us’: two Tate exhibitions during the summer of 2024 | David CLARKE
Latest Review
島島共鳴 - 藝術家駐留有感 Resonance Islands - Linkshouse Orkney Arts Residency | 黃嘉瀛 Wong Ka Ying
Art Issues
AICAHK Newsletter July 2024 每月通訊 - 2024年7月 |

The latest reviews and commentary by Hong Kong art critics...
Latest Review
「放在公共空間的藝術」和「公共藝術」 'Art at Public Space' and 'Public Art' | Oscar Hing-kay HO
Latest Review
在港驟見貝聿銘的中銀大廈 Impressions of I.M. Pei's Bank of China Tower seen in Hong Kong | John BATTEN
Latest Review
AI影像、合理性與情緒支配 AI Imagery, Plausibility & Emotional Manipulation | John BATTEN
Latest Review
第六十屆威尼斯雙年展藝評：再次—在藝術終結之後（及其開始）Review of the 60th Venice Biennale: 'The End of Art – Again (and its Beginning)' | Helen GRACE
Latest Review
短評《陳巧真：踱步》 Review: Chan Hau Chun ''Silent Sojourns'' | John BATTEN
Latest Review
同場加映：盧亭/香港文化 搵水散水：港人與海 ‘Also screening: Lo Ting/ Hong Kong Culture; Lost and Found of the Water: Hongkongese and the Sea’ | Oscar Hing-kay HO
Latest Review
'Hong Kong's Central Reclamation Phase III' | John BATTEN
Latest Review
Swiss Photographer Rene Burri | John BATTEN
Latest Review
The Road to the Baroque | David CLARKE
Latest Review
Curating Public Space 何慶基 | Oscar Hing-kay HO
Latest Review
黃仁逵：《天一半地一半》 Wong Yankwai: Half(s) & Halves of... | John BATTEN
Latest Review
Review of Kwan Sheung Chi, ''Not Retrospective'' | John BATTEN
Latest Review
短評M+ 阿比查邦 · 韋拉斯塔古《Primitive》 | Suze Chan suze陳
Latest Review
M+ admission fees - why? | John BATTEN
Latest Review
撫慰那過後的疲累 —— 鄺鎮禧《踏空》 Comfort after Cruelty - Kong Chun Hei’s “Off Beat” (scroll down for English) | Grace GUT
Art Issues
戰爭、語言、文化符號 Symbols of War, Language and Culture | Oscar Hing-kay HO
Latest Review
When one’s future is an open wound | Eric Otto WEAR
Latest Review
張弛 ——林國鑫《安全毯》Tension and Relax: 'Safety Blanket' an exhibition by Aaron Lam Kwok Yam | 吉暝水 Grace Gut
Latest Review
‘May the earth in chaos come to us for light’: Deep Time in Daniel Boyd’s Pediment/Impediment | Helen GRACE
Latest Review
Quatre décennies d’art contemporain chinois | Gerard HENRY

One of the highlights of the new M+ museum in Hong Kong is the M+ Sigg Collection, donated by Uli Sigg...
Latest Review
Hong Kong ouvre M+, le plus grand musée de culture contemporaine d’Asie | Gerard HENRY

A review in the original French about M+ and its opening exhibitions.
Art Issues
Creative Collaboration Transcends Borders and Boundaries: Hong Kong at Echigo-Tsumari Art Triennale | Natalie Ho

The fourth exhibition at the “Hong Kong House at Echigo-Tsumari Art Triennale” featuring Hong Kong artist Lam Tung Pang
Latest Review
Zao Wouki: “Il ne fait jamais nuit” (“It never gets dark”) | Hilary BINKS

Zao Wouki: “Il ne fait jamais nuit” (“It never gets dark”) was an appropriately optimistic title for an exhibition coming out of lockdown in the south of France last year. Held at the Hôtel de Caumont, an elegant 18th century mansion with a beautiful garden...
Invited Writers
鹽糖之後，時代鹹酸 | Salt and Sugar, A Generation of Salty and Sour | 羅玉梅 Law Yuk Mui

藝術創作無法解決個人或社會問題，但它可以是一個載體，讓你放下；或者讓你看淸楚問題沒有被解決。
Latest Review
我老師提培Wayne Thiebaud嘅小故事 | Oscar Hing-kay HO

提培是加州Funk Art的顯赫人物，以繪畫芝士批、塑膠花、香口膠波等「無聊無深度」生活小東西而著名...
Latest Review
Sam Francis and Walasse Ting: An Artistic Friendship | David CLARKE

An article about the American abstract artist Sam Francis and his friendship with Chinese-born Walasse Ting, who, however, spent most of his life in the USA and Europe.
Invited Writers
高牆下，創意川流不息 | Creativity flows against the Great Wall | Grace GUT

常言道「大時代更能孕育經典作品」......
Invited Writers
那答案早在我們心裏 —《那地方：鄧凝姿采風》 | Hoi Ling

香港與中國之間複雜的牽絆是不少本地藝術家關注的議題。自二零一九年......
Invited Writers
抓住或美麗、或破舊的尾巴 | Wing Shan LEUNG

自從本土意識抬頭，香港掀起了持續不退的「懷舊」熱潮。特意用上引號......
Art Issues
Error可駕駛嗎？看「釋色如果我是 」的觀眾創作 Can We Drive ‘Errors’? – A Review of Audience Participation in “Free Coloring If I Were” | Phoebe Ching Ying MAN

創作社會交往式藝術，講求開放的觀眾參與，有時觀眾的創作往往會...... This article titled ‘Can we drive “errors”? – A review on the audience participation in “Free Coloring If I Were”’ in English and Chinese
Art Issues
Art of the powerless | Eric Otto WEAR

In his 1978 essay The Power of the Powerless, Vaclav Havel describes...
Invited Writers
習慣了系統出錯的常態 | Wing Shan LEUNG

整齊排列滿牆但脫色的海報在門口迎賓，為什麼有黃色告示牌要人脫下......
Latest Review
另一個紀念花園 | Another Garden of Remembrance | John BATTEN

歡迎進入《香港花園》。以下是......
Art Issues
盧亭/香港文化 搵水散水：港人與海 | Oscar Hing-kay HO

盧亭乃香港僅存嘅本土神話，清初學者屈大均《廣東新語》云，盧亭乃居於......
Invited Writers
由景入心 — 談黃進曦《斗室島敘》 | Grace GUT

自「行山寫生」開始留意黃進曦，每次看他的作品，我都有舒心的感覺......
Invited Writers
如果自由即將逝去 | Hoi Ling

1970年代，越南人因越戰逃難至香港尋找自由，許多逃難的人在過程中長期居住於香港的羈留營，這段歷史對香港人......
Invited Writers
請不要用藝術來說服我 | Grace GUT

三月，曾經因為香港巴塞爾藝術展及同期舉行的其他藝文活動，而被旅遊發展局冠名為「香港藝術月」。新冠疫情未退......
Invited Writers
參差的生活痕跡透露「家」之所在 | Wing Shan LEUNG

居住的場所是否等如「家」？每個人對此有不同演繹，在《生活痕跡》的展覽中......



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